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VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954. Paramount did not use anamorphic processes such as CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and ...
A film to HD video transfer machine was introduced, novel in that the HD camera was not part of the transfer machine but mounted on it. An upgrade would be easy, just change the HD camera, the film transport deck stayed the same. A fiber optic–based 35 mm ground glass to video chip reducer was patented and sold to a competitor.
Paramount Presents VistaVision: 1954: Paramount: 19-minute promo film: VistaVision Visits Norway: 1954: Paramount: Short film White Christmas: 1954: Paramount: First VistaVision release [1] 3 Ring Circus: 1954: Paramount [2] An Alligator Named Daisy: 1955: Rank: Artists and Models: 1955: Paramount [3] The Desperate Hours: 1955: Paramount: First ...
Mitchell R35 camera - a pin-registered, hand-holdable and tripod-mountable reflex 35mm camera with multiple magazine mounting positions and an available sound blimp. Proprietary R35 lens mount. Succeeded by the R35R (industry-standard BNCR mount) and the R35RC (BNCR mount and crystal-controlled motor). Mitchell NCR/BNCR camera - Reflex version ...
The second Prominent (stylized with small caps as ProminenT) was a line of 35mm interchangeable lens cameras built after World War II in the 1950s, equipped with leaf shutters. The second line of Prominent cameras were marketed as professional system cameras against the Leica threadmount and M bayonet mount and Zeiss Ikon Contax rangefinder ...
Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'. [1]
Techniscope employs standard 35 mm camera films, which are suitable for 2-perf (Techniscope), 3-perf, conventional 4-perf (spherical or CinemaScope), and even 6-perf and 8-perf (VistaVision), as all of those processes listed employ the same negative and intermediate films, and positive print films intended for direct projection (although 2-, 3- and 8-perfs are not distribution formats).
Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 2:1 ...
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