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Initially, Áo tứ thân was worn by both men and women, but gradually became the traditional dress of women. [35] [36] Áo tứ thân is a symbol of Vietnamese culture. [37] [38] It is associated with the image of Vietnamese women who are gentle, graceful, and capable. [39] Today, Áo tứ thân is not as widely used as before. [40]
A woman wearing white Áo dài. Áo dài (English: / ˈ aʊ ˈ d aɪ, ˈ ɔː ˈ d aɪ, ˈ aʊ ˈ z aɪ /; Vietnamese: [ʔaːw˧˦ zaːj˨˩] , [ʔaːw˦˥ jaːj˨˩] ) [1] [2] is a modernized Vietnamese national garment consisting of a long split tunic worn over silk trousers. It can serve as formalwear for both men and women.
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
The wedding gown compared to other traditional Vietnamese clothes is more intricate in terms of design and only reserved for the wedding days. For brides, the outfit includes an extravagant (often transparent) outer cloak; some brides choose to not wear it in favor of showing off their dresses more or replace the cloak with an attached cape ...
Áo bà ba (Vietnamese: [ʔǎːw ɓâː ɓaː], translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam, especially in the Mekong Delta. Often worn as a top and bottom set, the áo bà ba is ...
Two girls in yếm carry goods to sell. A yếm or áo yếm (Vietnamese:, chữ Nôm: 裺 or 襖裺) is a traditional Vietnamese undergarment that was once worn by Vietnamese women across all classes. It was most usually worn underneath a blouse or mantle to preserve modesty.
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Khăn vấn is a rectangular textile that is long and quite thick, wrapped tightly around the head. According to the decrees of Nguyễn dynasty written in the Historical chronicle of Đại Nam, the Vietnamese initially remained faithful to the Champa style, but gradually adapted styles to suit needs for each social class.
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