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"Said It All" is a song by English rock band Take That. It is the fourth single from to be taken from their fifth studio album, The Circus (2008). The single was released in the United Kingdom on 15 June 2009, where it peaked at number nine on the UK Singles Chart and number one on the Scottish Singles Chart .
"Take It All" is a song written by Maury Yeston for the 2009 musical film Nine, a film adaptation of the musical Nine. The song is performed by Luisa Contini (Marion Cotillard). It was nominated for an Academy Award for Best Original Song at the 82nd Academy Awards. The official music video for the song has over 2 million views on YouTube. [1]
"Turning Tables" is a song recorded by English singer-songwriter Adele for her second studio album, 21 (2011). Conceived after an altercation with her former lover, the song was co-written by Adele and singer-songwriter Ryan Tedder, whilst the production was completed by Jim Abbiss.
For instance, for a composer working in the C major key, a major ♭ III chord (e.g., an E ♭ major chord) would be borrowed, as this chord appears only in the key of C minor. Although borrowed chords could theoretically include chords taken from any key other than the home key, this is not how the term is used when a chord is described in ...
Social Security is the U.S. government's biggest program; as of June 30, 2024, about 67.9 million people, or one in five Americans, collected Social Security benefits. This year, we're seeing a...
"The Winner Takes It All" is a song recorded by Swedish pop group ABBA. Released as the first single from the group's seventh studio album, Super Trouper (1980), it is a ballad in the key of G-flat major, reflecting on the end of a relationship. The single's B-side was the non-album track "Elaine". The song peaked at No.1 in several countries ...
The Guardian said the song was designed "to encourage a lighters-aloft moment." [4] BBC Music described the track as "perky" and "magical". [5]Digital Spy noted: " 'Hold Up a Light', led by Mark Owen, is a fist-pumping anthem that will require a lot of ticker tape when played live."
Charles Burkhart suggests that the reason codas are common, even necessary, is that, in the climax of the main body of a piece, a "particularly effortful passage", often an expanded phrase, is often created by "working an idea through to its structural conclusions" and that, after all this momentum is created, a coda is required to "look back" on the main body, allow listeners to "take it all ...