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"Still Water (Love)" is a 1970 hit single written by Smokey Robinson and Frank Wilson (who also produced the track) for the Motown singing group Four Tops.The B-side was "Still Water (Peace)" [3] and both songs appear on the 1970 album Still Waters Run Deep.
The album yielded the popular Top 30 hits, "Still Water (Love)" (#11), which was co-written by Smokey Robinson and their cover of "It's All in the Game" (#24), which featured rare co-leads by Four Tops members Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton singing alongside prominent lead Levi Stubbs.
An additional 21 songs have reached the UK Top 40 with ten reaching the top ten and one reaching number one on the chart. Much of the group's catalog is now controlled by Universal Music Group , as a result of various transactions involving many of the record labels for which the Four Tops recorded for over the years.
August 1966 brought the release of the Four Tops' all-time biggest hit and one of the most popular Motown songs ever. " Reach Out I'll Be There " reached number 1 on the U.S. pop and R&B charts [ 4 ] and the UK chart and soon became the Tops' signature song. [ 3 ]
The Four Tops Greatest Hits is a greatest hits album by the Four Tops, released in August 1967. It peaked at No. 4 on the Billboard albums chart in the United States, remaining on the chart for 73 weeks, and is the first Motown album to reach No. 1 in Britain. It spent one week at the top of the UK Albums Chart in 1968.
"Total Eclipse of the Heart" by Bonnie Tyler. Welsh singer Bonnie Tyler topped the Billboard Hot 100 for four weeks in 1983 with "Total Eclipse of the Heart," which still generates buzz today.More ...
Mariah Carey is still making a ton of money on her iconic hit “All I Want for Christmas Is You.” According to The Economist, the track earned $60 million in royalties between its 1994 release ...
A review in Billboard recommends this album to retailers as a "super set" with "stunning live performances". [1] Editors at AllMusic Guide scored this release 2.5 out of five stars, with reviewer Andrew Hamilton praising the "crack sound system" for the recording and opining that several of the live versions rival their studio recordings in quality.