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Explanatory PDF is available for download; See more Dante's Inferno images by selecting the "Heaven & Hell" subject at the Persuasive Cartography, The PJ Mode Collection, Cornell University Library "Mapping Dante's Inferno, One Circle of Hell at a Time", article by Anika Burgess, Atlas Obscura, July 13, 2017; Dante's Inferno on In Our Time at ...
The circle of lust introduces Dante's depiction of King Minos, the judge of hell; this portrayal derives from the role of Minos in the Greek underworld in the works of Virgil and Homer. Dante also depicts a number of historical and mythological figures within the second circle, although chief among these are Francesca da Rimini and Paolo ...
Inferno is the first section of Dante Alighieri's three-part poem Commedia, often known as the Divine Comedy.Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell (Inferno), purgatory (), and heaven (). [2]
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
In the sixth book of Virgil's Aeneid (one of the principal influences on Dante in his depiction of Hell), the hero Aeneas enters the "desolate halls and vacant realm of Dis". [ 4 ] His guide, the Sibyl , corresponds in The Divine Comedy to Virgil, the guide of "Dante" as the speaker of the poem.
Dante's Inferno is a series of six comic books based on the same video game. Published by WildStorm from December 2009 through May 2010, the series was written by Christos Gage with art by Diego Latorre. [116] Dante's Inferno: An Animated Epic is a direct-to-DVD animated film released on February 9, 2010. The film is also a spin-off from Dante ...
Thus the principal figures of Dante, Virgil and Beatrice often appear several times in an image. [16] There are two additional drawings, a map of Hell preceding Inferno, and a double-page drawing of Lucifer that depicts Dante's and Virgil's descent to Hell. [1]
Dante's rewriting of the Lucanian scene 'recuperates' the witch Erichtho by making her necessary to the Dantean Virgil's status as guide: she thus functions in accord with the Christian providence that controls the advancement of the Commedia ' s plot line. At the same time, the Lucanian Erichtho is both marginalized and subordinated to a ...