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One key Buddha in this sutra is the Buddha Vairocana ("Radiance" or "The Illuminator"). Vairocana is a supreme cosmic Buddha who is the source of light and enlightenment of the 'Lotus universe', and who is said to contain all world systems within his entire cosmic body.
The Buddhist cosmology is not a literal description of the shape of the universe; [2] rather, it is the universe as seen through the divyacakṣus (Pali: dibbacakkhu दिब्बचक्खु), the "divine eye" by which a Buddha or an arhat can perceive all beings arising (being born) and passing away (dying) within various worlds; and can ...
Amitāyus—the Buddha of Infinite Life—and Amitābha—the Buddha of Infinite Light—are essentially identical, being reflective images of one another. Sutras in which Gautama Buddha expounds the glories of Sukhavati, the Pure Lands, speak of the presiding Buddha sometimes as Amitābha and sometimes as Amitāyus.
The Suñña-Kalpa is the world where no Buddha is born. Asuñña-Kalpa is the world where at least one Buddha is born. There are 5 types of Asuñña-Kalpa: [20] Sāra-Kalpa – The world where one Buddha is born. Maṇḍa-Kalpa – The world where two Buddhas are born. Vara-Kalpa – The world where three Buddhas are born.
In Huayan Buddhism, the supreme Buddha Vairocana is seen as the "cosmic Buddha", with an infinite body that comprises the entire universe and whose light penetrates every particle in the cosmos. [62] According to a religious pamphlet from Tōdai-ji temple in Japan (the headquarters of Japanese Huayan), "Vairocana Buddha exists everywhere and ...
In Buddhism, Buddha (/ ˈ b uː d ə, ˈ b ʊ d ə /, which in classic Indic languages means "awakened one") [1] is a title for those who are spiritually awake or enlightened, and have thus attained the supreme goal of Buddhism, variously described as nirvana ("blowing out"), bodhi (awakening, enlightenment), and liberation (vimutti, vimoksa).
Birth of the Buddha, Lorian Tangai, Gandhara.The Buddha is shown twice: being received by Indra, and then standing up immediately after. The iconography of the events reflects the elaborated versions of the Buddha's life story that had become established from about 100 AD in Gandharan art and elsewhere, such as Sanchi and Barhut, and were given detailed depictions in cycles of scenes ...
According to the Ekavyāvahārika, the words of the Buddha were spoken with one transcendent meaning, and the Four Noble Truths are to be understood simultaneously in one moment of insight. [196] According to the Mahīśāsaka sect, the Four Noble Truths should be meditated upon simultaneously.