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Many popular singers have recorded and performed "Some Enchanted Evening". [13] Perry Como's version was a #1 hit in 1949, [14] and Frank Sinatra recorded the song several times. Ezio Pinza (recorded April 18, 1949, Original Broadway cast recording of South Pacific). His single version reached No. 7 in the Billboard charts in 1949. [15] Perry ...
"Some Enchanted Evening" (1965) " Cara Mia " is a popular song published in 1954 that became a UK number 1, [ 1 ] and US number 10 hit and Gold record for English singer David Whitfield in 1954, and a number 4 hit for the American rock group Jay and the Americans in 1965.
The song's lyrics are selected verses from a poem by Sandy Pearlman, the band's producer and mastermind behind their image, called "The Soft Doctrines of Imaginos".In the poem, which was later partially released under the BÖC moniker in the album Imaginos, aliens known as Les Invisibles guide an altered human named Imaginos, also called Desdinova, through history, playing key roles that ...
He declared that "Some Enchanted Evening", sung by Pinza, "ought to become reasonably immortal." [ 117 ] Richard Watts, Jr. of the New York Post focused on Mary Martin's performance, writing, "nothing I have ever seen her do prepared me for the loveliness, humor, gift for joyous characterization, and sheer lovableness of her portrayal of Nellie ...
Some Enchanted Evening is the second live album by the American rock band Blue Öyster Cult, released on September 13, 1978. The album was certified for a million units sold in the United States. [1] The album's seven tracks were recorded at various locations in the United States and England.
James Horner (music) and Will Jennings (lyrics) 5:22: 10. "Come What May" (from Moulin Rouge!, featuring The Canadian Tenors) David Baerwald and Kevin Gilbert: 4:52: 11. "Some Enchanted Evening" (from South Pacific) Rodgers and Hammerstein: 4:10: 12. "When I Fall In Love" (from Sleepless in Seattle) Victor Young (music) and Edward Heyman ...
The first single, "Some Enchanted Evening", reached #40 on the Urban Adult Contemporary charts. The album was also the final Temptations album for Ali-Ollie Woodson, who would be released from the group by Otis Williams in 1996, after having suffered several bouts of throat cancer.
In AllMusic, William Ruhlmann wrote that Williams "wasn't really a rocker, even if he sometimes pretended to be one for commercial purposes at the behest of Cadence Records head Archie Bleyer" [3] and that he "was allowed to show his true colors by recording a collection of Rodgers & Hammerstein songs from the musicals Oklahoma!, Carousel, South Pacific, and The King and I.