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Giovanni Battista (or Giambattista) Piranesi (Italian pronunciation: [dʒoˈvanni batˈtista piraˈneːzi;-eːsi]; also known as simply Piranesi; 4 October 1720 – 9 November 1778) was an Italian classical archaeologist, architect, and artist, famous for his etchings of Rome and of fictitious and atmospheric "prisons" (Carceri d'invenzione).
Carceri d'invenzione, often translated as Imaginary Prisons, is a series of 16 etchings by the Italian artist Giovanni Battista Piranesi, 14 produced from c. 1745 to 1750, when the first edition of the set was published.
The leading lights of the 18th century came from Venice. Among them were the brilliant exponent of the rococo style, Giovanni Battista Tiepolo; the architectural painters Francesco Guardi, Canaletto, Giovanni Battista Piazzetta, and Bernardo Bellotto; and the engraver of Roman antiquities, Giovanni Battista Piranesi.
Veduta della Rotonda (the Pantheon, Rome), Laura Piranesi. Laura Piranesi (1754–1789) was an Italian etcher working in Rome towards the end of the 18th century. She was an active participant in her family's print workshop, run by her father Giovanni Battista Piranesi, an Italian artist, etcher, and antiquarian.
[22] [23] Another early artistic forerunner is Giovanni Battista Piranesi (1720–1778), whose dark "fantastical" [24] prints such as The Drawbridge in his Carceri sequence depict perspectives of complex architecture with many stairs and ramps, peopled by walking figures.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
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