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The problem of evil is generally formulated in two forms: the logical problem of evil and the evidential problem of evil. The logical form of the argument tries to show a logical impossibility in the coexistence of a god and evil, [2] [10] while the evidential form tries to show that given the evil in the world, it is improbable that there is ...
These include horns, tails, and wings. Satan is also associated with or may take the form of snakes, dragons, goats, or dogs. The color red is another common symbol, and may be incorporated by showing Satan with red skin, hair, or clothing. [3]
The logical argument from evil argued by J. L. Mackie, and to which the free-will defense responds, is an argument against the existence of God based on the idea that a logical contradiction exists between four theological tenets often attributes to God. Specifically, the argument from evil asserts that the following set of propositions are, by ...
The list is full of examples of this art style and movement that were created by artists from all around the world. So, check them out; maybe it will convince you to become a surrealism enthusiast.
Good and Evil (French - Le Bien et le Mal) is a painting by Victor Orsel, begun in Rome in 1829 and completed in Paris in 1832 after several preparatory works. It had several influences, especially from the artist's stay in Italy.
The absence of good (Latin: privatio boni), also known as the privation theory of evil, [1] is a theological and philosophical doctrine that evil, unlike good, is insubstantial, so that thinking of it as an entity is misleading. Instead, evil is rather the absence, or lack ("privation"), of good.
A romantic work, the figure of Lucifer is shown as a nude, handsome young man reclining, hands clasped, his face partially obscured by his arm. His wings are mostly white at the scapulars but dappled with blue and gold while the primary feathers are a rich dark navy that blend into the dark foreground.
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...