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S.-G. Pimont argued for the authorship of Ambrose of Milan. [1] The Benedictine editors and Luigi Biraghi disagreed. [2]The hymn is found in a hymnary in Irish script (described by Clemens Blume in his Cursus, etc.) of the eighth or early ninth century; but the classical prosody of its two stanzas (solita in the third line of the original text is the only exception) suggests a much earlier origin.
Pie Jesu" (/ ˈ p iː. eɪ ˈ j eɪ. z uː,-s uː / PEE-ay-YAY-zu; original Latin: "Pie Iesu" /ˈpi.e ˈje.su/) is a text from the final (nineteenth) couplet of the hymn "Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means "pious Jesus" in the vocative.
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
This page was last edited on 2 September 2023, at 12:51 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Apparebit repentina is an anonymous abecedarian Latin hymn on the Day of Judgement.Since it is mentioned by Bede, it is believed to date to the 7th century or earlier.. It was translated into English by John Mason Neale as "That great Day of wrath and terror" in his collection Mediaeval Hymns and Sequences (3rd ed. 1867).
The Ambrosian hymns are a collection of early hymns of the Latin liturgical rites, whose core of four hymns were by Ambrose of Milan in the 4th century.. The hymns of this core were enriched with another eleven to form the Old Hymnal, which spread from the Ambrosian Rite of Milan throughout Lombard Italy, Visigothic Spain, Anglo-Saxon England and the Frankish Empire during the early medieval ...
The sequence employed in the Requiem, Dies irae, attributed to Thomas of Celano (c. 1200 – c. 1260–1270), has been called "the greatest of hymns", worthy of "supreme admiration". [1] The Latin text is included in the Requiem Mass in the 1962 Roman Missal. An early English version was translated by William Josiah Irons in 1849.
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