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Lamb was a San Francisco-based rock group. [1] They tend to be remembered only for their appearance on the Fillmore: The Last Days concert album, where they were one of several non-star artists on a set dominated by bigger names like the Grateful Dead, Santana, and Jefferson Airplane. They also played at the Ribeltad Vorden in San Francisco.
It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from rhythm and blues music's transformation into rock, such as Motown, progressive rock, psychedelic soul, and jazz fusion.
The psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd. Bossa nova was made popular by Elizete Cardoso 's recording of Chega de Saudade on the Canção do Amor Demais LP , composed by Vinícius de Moraes (lyrics) and Antonio Carlos Jobim (music).
Acid jazz (also known as club jazz, psychedelic jazz, or groove jazz) is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. [1] [2] Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan.
Psychedelic States is a series of 1960s psychedelic rock and garage rock compilation albums, each focusing on artists from specific states. They were released by Gear Fab Records. [ 1 ] Several states had more than one volume representing them.
Psychedelic soul (originally called black rock [1] or conflated with psychedelic funk [2]) is a form of soul music which emerged in the United States in the late 1960s. The style saw African-American soul musicians embrace elements of psychedelic rock, including its production techniques, instrumentation, effects units such as wah-wah and phasing, and drug influences. [3]
Alexander "Skip" Spence (born Alexander Lee Spence, Jr.; April 18, 1946 – April 16, 1999) was a Canadian-born American singer-songwriter and musician. [1] He was co-founder of Moby Grape, and played guitar with them until 1969.