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The Foreign Language Film Award Committee oversees the process and reviews all the submitted films. Following this, they vote via secret ballot to determine the five nominees for the award. [ 3 ] Below is a list of the films that have been submitted by Serbia and its predecessor states for review by the Academy for the award by year and the ...
From the break-up of Yugoslavia, this is considered as the only film that attracted more than one million viewers in Serbia, by far biggest number, even compared to foreign films. 2003: Ledina Bare Ground: Ljubiša Samardžić: Dragan Bjelogrlić, Ksenija Pajić, Zijah Sokolović: Drama: o11 Beograd: Michael Pfeifenberger: Vanja Ejdus: Drama ...
For this film, Pavle Vuisić was awarded the Golden Arena. In 1972 Bata Živojinović played the role of his life in Valter Defends Sarajevo. Three years later the film was shown on Chinese national television, making Živojinović a film star in China. [25] In 1973, two films were made that performed very well at the box office.
We Will Be the World Champions (Serbian: Бићемо прваци света, Bićemo prvaci sveta) is a 2015 Serbian sports drama film directed by Darko Bajić.It was one of six films shortlisted by Serbia to be their submission for the Academy Award for Best Foreign Language Film at the 88th Academy Awards, [1] but lost out to Enclave. [2]
The film premiered at the Berlin Film Festival.In Yugoslavia it had 36,000 admissions in its first four days, grossing 1.2 million dinars and by August was the highest grossing film in the country with a gross of over 11.9 million dinars from admissions of over 330,000.
Tears for Sale, also known internationally as Charleston & Vendetta or also as Funeral Brides (original title in Serbian: Чарлстон за Огњенку, Čarlston za Ognjenku, literal translation Charleston for Ognjenka, French: Charleston et Vendetta), is a 2008 Serbian drama film.
The film shows the everyday lives of people in Belgrade who are obsessed with their weaknesses and led by their passions. Seven independent stories on the seven deadly sins are told in a comical tone.
The film opens with a faux newsreel—presented as a sardonic allusion to the Yugoslav state-owned Filmske novosti [] news organization's tone and delivery—reporting on the 27 June 1971 opening ceremony of the Tunnel of Brotherhood and Unity near an unnamed village in the Goražde municipality in eastern SR Bosnia-Herzegovina, constituent unit of the Yugoslav Federation.