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Great Mass in C minor, K. 427 (417a) Piano Concerto No. 24, K. 491) Maurerische Trauermusik K. 477 (479a) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 517; Adagio and Fugue in C minor. K. 546; Wind Serenade in C minor. K. 388 (384a) Fantasy in C minor for violin and piano, K. 396 (385f) Piano Sonata in C minor, K. 457 ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Baroque music written in minor keys often was written with a key signature with fewer flats than we now associate with their keys; for example, movements in C minor often had only two flats (because the A ♭ would frequently have to be sharpened to A ♮ in the ascending melodic minor scale, as would the B ♭).
It simplifies the job of both the music reader (who can quickly scan ahead to the next chord change) and the copyist (who doesn't need to repeat every chord symbol). The chord notation N.C. indicates the musician should play no chord. The duration of this symbol follows the same rules as a regular chord symbol. This is used by composers and ...
The pitch collection is related to the octatonic scale, the whole tone scale, and the French sixth, all of which are capable of a different number of transpositions. [4] For example, the chord is a whole tone scale with one note raised a semitone (the "almost whole-tone" hexachord , sometimes identified as "whole tone-plus"), and this ...
Even so, Johannes Brahms still felt the need to rewrite his C-sharp minor piano quartet in C minor, which was published as Piano Quartet No. 3 in C minor, Op. 60. [citation needed] The last intermezzo from his Three Intermezzi for piano, Op. 117 is in C-sharp minor. Alkan composed the second movement (Adagio) for Concerto for Solo Piano in C ...
The title page of the first book of J.S. Bach's The Well-Tempered Clavier, which covers all 24 major and minor keys.. There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale.
Marks the return of the minor and is marked "dolce", implying that it should be played more quietly. XVIII: Offers a stark contrast to Var. XVII, with very rapid right hand scales. XIX: A variation with arpeggios in the form of sixteenth triplets, as in the Waldstein Sonata. XX and XXI: Are technically difficult variations with scales. XXII