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Heinrich Ignaz Biber, Sonata for trumpet, violin, 2 violas and continuo No. 4 in C major, C. 117; Sonata for trumpet, violin, 2 violas and continuo No. 10 in G minor, C. 123. Larry Bitensky, The Other Side concertino for trumpet and chamber ensemble; Anonimo Bolognese, Concerto Op. 4, No. 7 for trumpet, 2 violins, cello and continuo
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Allegro, C minor, ends in C major, variation form with the fifth variation (in E-flat major) augmented. The minuet is a canon. The oboes carry the melody with the bassoons answering one bar later. The trio is also canonic with the response to the melody played upside down. [1] The finale is a set of variations containing a central episode in E ...
Great Mass in C minor, K. 427 (417a) Piano Concerto No. 24, K. 491) Maurerische Trauermusik K. 477 (479a) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 517; Adagio and Fugue in C minor. K. 546; Wind Serenade in C minor. K. 388 (384a) Fantasy in C minor for violin and piano, K. 396 (385f) Piano Sonata in C minor, K. 457 ...
Expanded ternary forms are especially common among Romantic-era composers; for example, Chopin's "Military" Polonaise (Op. 40, No. 1) is in the form [(A–A–B–A-B–A)(C–C–D–C-D–C)(A–B–A)], where the A and B sections and C and D sections are repeated as a group, and the original theme returning at the end without repeats.
Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in C minor, BWV 847; Prelude and Fugue in C ...
The title page of the first book of J.S. Bach's The Well-Tempered Clavier, which covers all 24 major and minor keys.. There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale.
The trumpet call from the first group recurs here. The movement heads into its development after a brief codetta.The recapitulation opens just as the exposition did; with tremolo strings giving way to the main theme and the reappearance of the trumpet call.