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Old-school hip hop (also spelled old skool) (also known as disco-rap) is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, [ 1 ] as well as any hip hop that does not adhere to contemporary styles.
The term golden age hip hop frames the late 1980s in mainstream hip hop, [20] said to be characterized by its diversity, quality, innovation and influence, [21] and associated with Public Enemy, KRS-One and his Boogie Down Productions, Eric B. & Rakim, Ultramagnetic MCs, [22] [23] De La Soul, A Tribe Called Quest, and the Jungle Brothers [24 ...
Double Dee and Steinski is a duo of hip hop producers, composed of Doug "Double Dee" DiFranco and Steven "Steinski" Stein.They achieved notoriety in the early 1980s for a series of underground hip-hop sample-based collages known as the "Lessons".
"Rapper's Delight" peaked at number 36 in January 1980 on the US Billboard Hot 100 chart, [15] number four on the Billboard Hot Soul Singles chart in December 1979. The song was much more successful internationally, reaching number one on the Canadian Top Singles chart in January 1980, [16] number one on the Dutch Top 40, and number three on the UK Singles Chart.
In the 1970s, hip-hop music typically used samples from funk and later, from disco. The mid-1980s marked a paradigm shift in the development of hip-hop, with the introduction of samples from rock music, as demonstrated in the albums King of Rock and Licensed to Ill. Hip-hop prior to this shift is characterized as old-school hip hop.
With hip hop having greatly increased in mainstream popularity in the late 1980s, Billboard introduced the chart in their March 11, 1989 issue under the name Hot Rap Singles. [1] [2] Prior to the addition of the chart, hip hop music had been profiled in the magazine's "The Rhythm & the Blues" column and disco-related sections, while some rap ...
Newcleus was an American electro and old school hip hop group that gained popularity in the early 1980s. The group is primarily known for its 12-inch single "Jam-On's Revenge" (re-released as "Jam on Revenge (The Wikki-Wikki Song)" (1983)) and "Jam on It" (1984).
Dan Cairns of The Sunday Times has described "The Message"'s musical innovation: "Where it was inarguably innovative, was in slowing the beat right down, and opening up space in the instrumentation—the music isn't so much hip-hop as noirish, nightmarish slow-funk, stifling and claustrophobic, with electro, dub and disco also jostling for room in the genre mix—and thereby letting the lyrics ...
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