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Chega de Saudade is the debut album by Brazilian musician João Gilberto and is often credited as the first bossa nova album. The title can be translated roughly as "enough with longing", though the Portuguese word saudade carries with it more complex meaning.
Djavan (also known by its subtitle, A Voz, O Violão, A Música de Djavan) is the debut album by Brazilian singer and songwriter Djavan. It was released in 1976. It was released in 1976. The album features some of the singer's early hits, like "Flor de Lis," "Para-Raio," "E Que Deus Ajude" and "Fato Consumado".
"Chega de Saudade" (Portuguese pronunciation: [ˈʃeɡɐ dʒi sawˈdadʒi]), also known as "No More Blues", is a bossa nova song. It is often considered the first bossa nova song to have been recorded. [1] "
The Caipira viola or Caipira guitar [1] (in Portuguese: Viola caipira), is a Brazilian ten-string guitar with five courses of strings arranged in pairs. [2] It is a variation of the Portuguese viola that developed in the state of São Paulo during the colonial period, [3] serving as a basis for Paulista music, especially for subgenres of Caipira folklore, such as moda de viola, caipira pagode ...
João Voz e Violão (English: João: Voice and (Acoustic) Guitar) is a bossa nova album by João Gilberto, released in 2000. Recording very little in the 1990s, this album is Gilberto's first studio album since 1991's João. The album won the 2001 Grammy Award for Best World Music Album.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Still in 1988, they guest performed on the song "Tempo" (written by Antunes and Miklos) of Sandra de Sá's 1988 self-titled album. [ 20 ] The producer Liminha (a former adjunct member of Os Mutantes ) was always an important associate of the band since Cabeça Dinossauro , and this association arrived to its climax in Õ Blésq Blom (1989), one ...
The version by Stan Getz and Charlie Byrd (from the album Jazz Samba) was a major hit in 1962, reaching number 15 and number 4 on Billboard′s pop and easy-listening charts, respectively; their definitive rendering also reached number 11 in the UK.