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April 16, 2004-- "Iafrate" Ken Chasen in Los Angeles, who had finished second in four previous Smack-Offs, wins his first, his call capped off by a song, Whitey's Dad (a parody of the song Michael's Dad by John Niems), in which Iafrate sings about Brian Albers (nicknamed "Whitey") who was Rome's show engineer and board operator.
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George Clinton (550 Music/Epic) Cobra; Tammy Cochran (Epic Nashville) Keyshia Cole; Compton's Most Wanted; Sarah Connor; Alice Cooper; Brad Cotter (Epic Nashville) The Cover Girls; Beverley Craven; Creed (Wind-Up/Epic) (outside US) Cry Before Dawn; Bobbie Cryner (Epic Nashville) Culture Beat (550 Music/Epic) Culture Club (Virgin/Epic) (US ...
"Comin' to Your City" is a song written and recorded by American country music duo Big & Rich. It was released in September 2005 as the lead single and title track from the album of the same name. The song reached number 21 on the U.S. Billboard Hot Country Singles & Tracks chart and number 72 on the Billboard Hot 100.
"Clubbin'" is the second single from Marques Houston's debut album, MH in the U.S. and his debut single in the UK. The song features Joe Budden and is the second track on the album. The "Clubbin'" remix was also featured and once again Joe Budden performed on the track, alongside R. Kelly, credited as Pied Piper. Kelly also wrote and produced ...
Cage formed in 1992 with the original lineup being, Sean Peck (vocals), David Garcia (guitar), Eric Horton (guitar), Mike Giordano (bass), and Damian Arletto (drums). Peck had previously been the leader of a band called Nomad, while Garcia and Giordano had performed with Crusher. [ 6 ]
Savage Land is a Canadian-American co-produced Western film, directed by Dean Hamilton and released in 1994. [1] Set in the early 1900s, the film stars Corey Carrier and Mercedes McNab as Luke and Hanna Morgan, a brother and sister who are moving to Colorado to reunite with their father after spending some time living with their aunt and uncle in Kansas, only for their stagecoach to be held up ...
"Houston" was a hit in 1965 when recorded by Dean Martin.Dean Martin's daughter, Deana Martin, has recounted her father telling her that the percussive sound was created by tapping an empty Coca-Cola bottle with a spoon, [3] while Hal Blaine once stated that he created the sound by tapping a glass ash tray with a triangle wand.