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Traditional silhouette animation as invented by Reiniger is subdivision of cutout animation (itself one of the many forms of stop motion).It utilizes figures cut out of paperboard, sometimes reinforced with thin metal sheets, and tied together at their joints with thread or wire (usually substituted by plastic or metal paper fasteners in contemporary productions) which are then moved frame-by ...
This positron emission tomography scan of a woman has a similar effect when viewed spinning. These results can be explained by a psychological study providing evidence for a viewing-from-above bias that influences observers' perceptions of the silhouette. [4] [5] Kayahara's dancer is presented with a camera elevation slightly above the ...
Lotte Reiniger was born in the Charlottenburg district of Berlin on 2 June 1899 to Carl Reiniger and Eleonore Lina Wilhelmine Rakette. [4] Here, she studied at Charlottenburger Waldschule, the first open-air school, where she learned the art of scherenschnitte, the German art of silhouette, inspired by the ancient Chinese art of paper cutting and silhouette puppetry. [5]
Video about making cutout animation, in Spanish with English subtitles. Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion.
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An animation stand with a 35 mm camera. An animation stand is a device assembled for the filming of any kind of animation that is placed on a flat surface, including cel animation, graphic animation, clay animation, and silhouette animation. Traditionally, the flat surface that the animation rests on is some kind of table that the animator sits ...
Ciné si (French: Cinema If) is a 1989 French silhouette animation television series conceived, written and directed by Michel Ocelot and realised at La Fabrique, consisting of short fairy tale and retrofuture stories performed by the same animated "actors".