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This is a complete list of the compositions by the Italian composer Ottorino Respighi (1879–1936). This list can be sorted by catalogue number (P), year composed, title, and genre. Catalog numbers were attributed by Potito Pedarra [ it ] , an Italian musicologist who dedicated most of his activity to the study of the works of Respighi.
Respighi's Concerto gregoriano was used in a one-act ballet depicting the life of Elizabeth Ann Seton, the first person born in the USA to become a Saint in the Catholic Church. [6] The ballet was created in 2025 to honor the 50th anniversary of her canonization and was entitled "Elizabeth" with choreography by Roman Mykyta and first performed ...
Ottorino Respighi (/ r ɛ ˈ s p iː ɡ i / reh-SPEE-ghee, [1] US also / r ə ˈ-/ rə-; [2] Italian: [ottoˈriːno reˈspiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century.
In the same year on March 3, the piece was performed again with Respighi's old teacher Federico Sarti with the violin and Respighi himself at the piano. [2] The sonata was dedicated to Ernesto Consolo [ de ] and Arrigo Serato [ de ] and was published by Casa Ricordi in Milan in 1919 and again in 1947, [ 3 ] though not without difficulty, as ...
Suite No. 3, P 172 was composed in 1931.It differs from the previous two suites in that it is arranged for strings only and somewhat melancholy in overall mood. (A note by the composer in the printed score states that the work may also be performed by a string quartet, completely omitting the double-bass part.)
"Chamber Orchestra of New York is a premier ensemble that features a seasoned roster of our city’s most flourishing musicians. The orchestra is internationally distinguished for championing unique repertoire that bridges the classical and modern traditions, including iconic film music, through premieres and world premiere recordings of rediscovered masterworks.
Respighi had completed the first two movements of the concerto, and left the introduction of a third movement in piano reduction, with only a few measures orchestrated. In 2007, Respighi's descendants in collaboration with Respighi archive curator/cataloguer Potito Pedarra invited composer/conductor Salvatore Di Vittorio to complete the ...
Massine described how, in Rome for a ballet season, Respighi brought the score of Rossini's Péchés de vieillesse to Diaghilev. The impresario played them to Massine and Respighi. Toulouse-Lautrec was an influence on the period setting and style of La Boutique fantasque, and Massine envisaged the principal character "quite Lautrec-like". [5]