Search results
Results from the WOW.Com Content Network
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Keshavdas Mishra (Hindi pronunciation: [keːɕəvəd̪ɑːsə miɕrə]; 1555–1617), usually known by the mononym Keshavdas, was an Indian Poet, Writer, Scholar and administrator who was best known for his work Rasikpriya , a pioneering work of the Riti Kaal of Hindi literature. He was patronized by Vir Singh Deo of Orchha.
Tawaif Mah Laqa Bai singing poetry. A tawaif was a highly successful courtesan singer‚ dancer‚ and poet who catered to the nobility of the Indian subcontinent, particularly during the Mughal era.
Nautch dancers in Old Delhi, c. 1874 Nautch dancer in Calcutta, c. 1900 A Raja awaits the arrival of Nautch dancers A Nautch girl performing, 1862. The nautch (/ ˈ n ɔː tʃ /, meaning "dance" or "dancing" from Hindustani: "naach") [1] was a popular court dance performed by girls (known as "nautch girls") in later Mughal and colonial India. [2]
The Encyclopaedia of Indian Literature is a multi-volume English language encyclopedia of Indian literature published by Sahitya Akademi, India's National Academy of Letters. The idea for the project emerged in the mid-1970s, and three volumes were planned to cover all Indian literature, including that in native vernaculars. The scope of the ...
Harshacharita :The Harshacharita (Sanskrit: हर्षचरित, Harṣacarita) (The deeds of Harsha), is the biography of Indian emperor Harsha by Banabhatta, also known as Bana, who was a Sanskrit writer of seventh-century CE India. He was the Asthana Kavi, meaning Court Poet, of Harsha.
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.