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The armchairs of the middle Louis XV period (1723-1750) were smaller than those of the Louis XIV period, but more comfortable. The legs were more curved, the top of the back was rounded, and often had a small ornamental design. The back of the chair took on a more graceful violin form.
Over the subsequent generation, the ottoman became a common piece of bedroom furniture. European ottomans standardized on a smaller size than the traditional Turkish ottoman, and in the 19th century they took on a circular or octagonal shape. The seat was divided in the center by arms or by a central, padded column that might hold a plant or ...
DIN 4551 Office furniture; revolving office chair: This German standard covers revolving office chairs with adjustable backrests, armrests, and height, ensuring their quality and safety. EN 581 Outdoor furniture – Seating and tables for camping, domestic and contract use: This European standard specifies the requirements for outdoor seating ...
The color scheme of the room is blue-gray, royal blue, and gold, which were suggested by French-American architect Paul Philippe Cret and are typical colors used at the height of the French Empire. The walls of the room are lined with wood paneling in classical proportions, and slender wall pilasters are capped with delicately carved ad gilded ...
Women's clothes of the Ottoman period in the 'mansions' and Palace courts included 'Entari', 'kuşak', 'şalvar', 'başörtü', and the 'ferace' of the 19th century without much change. In the 16th century, women wore two-layer long 'entari' and 'tül', velvet shawls, on their heads. Their outdoor clothing consisted of 'ferace' and 'yeldirme'.
Neoclassicism is a revival of the many styles and spirit of classic antiquity inspired directly from the classical period, [7] which coincided and reflected the developments in philosophy and other areas of the Age of Enlightenment, and was initially a reaction against the excesses of the preceding Rococo style. [8]
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