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Protest art against the Marcos dictatorship in the Philippines pertains to artists' depictions and critical responses to social and political issues during the presidency of Ferdinand Marcos. Individual artists as well as art groups expressed their opposition to the Marcos regime through various forms of visual art, such as paintings, murals ...
Walking With Our Sisters exhibition in the Shingwauk Auditorium at Algoma University in 2014. The Walking With Our Sisters project was initiated by Métis artist Christi Belcourt to acknowledge the grief families of missing and murdered Indigenous women (MMIW) suffer with, to raise awareness of MMIW and to create opportunities for a discourse in which the issue can be acknowledged across ...
Chapter II, Section 3h of the Indigenous Peoples' Rights Act of 1997 defines "indigenous peoples" (IPs) and "indigenous cultural communities" (ICCs) as: . A group of people or homogenous societies identified by self-ascription and ascription by others, who have continuously lived as organized community on communally bounded and defined territory, and who have, under claims of ownership since ...
Although Indigenous art was being displayed, the curatorial choices on how to display their work were not always made with the best of intentions. For instance, Native American art pieces and artifacts would often be shown alongside dinosaur bones, implying that they are a people of the past and non-existent or irrelevant in today's world. [128]
Tagalog maginoo (nobility) wearing baro in the Boxer Codex (c.1590). Baro't saya evolved from two pieces of clothing worn by both men and women in the pre-colonial period of the Philippines: the baro (also barú or bayú in other Philippine languages), a simple collar-less shirt or jacket with close-fitting long sleeves; [5] and the tapis (also called patadyong in the Visayas and Sulu ...
Women in Philippine art is the many forms of art in the Philippines that utilizes women in the Philippines and even women from other parts of the world as the main subject depending on the purpose of the Filipino artist. The portrayal of women in the visual arts depend on the context on how Philippine society perceives women and their roles in ...
Filipino women artists started contributing to Philippine art when the Philippines was still a colonial province of Spain (1521–1898). [1] They have continued to participate as art creators after World War II through modern times by either following the traditional way of making art or by departing from such tradition by embracing modernism ...
Cheryl Suzack and Shari M. Huhndorf argue in Indigenous Women and Feminism: Politics, Activism and Culture that: "Although Indigenous feminism is a nascent field of scholarly inquiry, it has arisen from histories of women's activism and culture that have aimed to combat gender discrimination, secure social justice for Indigenous women, and ...