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Dialogues for saxophone quartet, winds, and percussion (2006)—James Curnow; Windings for saxophone quartet and wind orchestra (2006)—Miklós Maros; Concerto for saxophone quartet and wind ensemble (2012)—David Maslanka; Concerto after Dvorak (2018)—David DeBoor Canfield; Concerto for saxophone quartet and wind ensemble (2019)—Roger Briggs
Download as PDF; Printable version; In other projects ... Pages in category "Saxophone quartets" The following 9 pages are in this category, out of 9 total.
The most recent World Saxophone Congress, in 2015, hosted a competition specifically for saxophone quartets with a first prize of 4000 euros and a recital, [3] won by Keuris Saxophone Quartet. [4] Saxophone quartets also compete in, and have won, the Fischoff National Chamber Music Competition , which is the world's largest classical chamber ...
Saxophone Quartet (1995; also orchestral version, see § For multiple soloists) Tissues (from Naqoyqatsi) for cello, percussion and piano (2002) Taoist Sacred Dance for piano and flute (2003) Music from The Sound of a Voice for flute, pipa, violin, cello and percussion (2003) Sonata for Violin and Piano (2008) Duo for Viola & Percussion (2009) [2]
The World Saxophone Quartet was an American jazz ensemble founded in 1977, incorporating elements of free jazz, R&B, funk and South African jazz into their music. [1]The original members were Julius Hemphill (alto and soprano saxophone, flute), Oliver Lake (alto and soprano saxophone), Hamiet Bluiett (baritone saxophone, alto clarinet), and David Murray (tenor saxophone, bass clarinet). [2]
W.S.Q. is a 1980 album by the jazz group the World Saxophone Quartet released on the Italian Black Saint label. The album features performances and compositions by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray. [1]
The AllMusic review by Scott Yanow stated: "The second recording by The World Saxophone Quartet (which follows by a year their Moers Music release Point of No Return) gives one a well-rounded look at this powerful group. Composed of altoist Julius Hemphill (who contributes four of the six group originals), altoist Oliver Lake, tenorman David ...
This is thought-provoking music that serves as the perfect introduction to the unique World Saxophone Quartet." [1] Critic Robert Christgau stated: "I admire the way the quartet format suggests sonorous magnificence without deploying an embarrassment of riches in its service. Barely touched by deconstructive anarchy, these homages constitute ...
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