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Minor major seventh chord. A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh.
In this chord, F is a minor seventh above G. In Roman numeral analysis, G 7 would be represented as V 7 in the key of C major. This chord also occurs on the seventh degree of any natural minor scale (e.g., G7 in A minor). The dominant seventh is perhaps the most important of the seventh chords.
Chord type Major: Major chord: Minor: Minor chord: Augmented: Augmented chord: Diminished: Diminished chord: ... Diminished seventh chord (leading-tone and secondary ...
The dominant seventh (V7) chord G7=(G,B,D,F) increases the tension with the tonic (I) chord C. Adding a minor seventh to a major triad creates a dominant seventh (denoted V7). In music theory, the "dominant seventh" described here is called a major-minor seventh, emphasizing the chord's construction rather than its usual function. [27]
The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...
A seventh chord with a minor third, perfect fifth, and minor seventh is commonly called a minor seventh chord, but also sometimes a minor/minor seventh chord to distinguish it from the minor/major seventh chord discussed below. It can be represented as either as m 7 or − 7, or in integer notation, {0, 3, 7, 10}.
Dominant seventh chord on C: C 7 Play ⓘ.. Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction.
For example, the seventh of the dominant seventh chord, resolving to tonic, moves downward to the third of the following chord. In the key of C major, the dominant seventh chord would be G 7; the seventh note of this G 7 chord is F, which should resolve downwards to an E in the next bar (typically supported by a C-major chord).