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While the word ragtime was first known to be used in 1896, the term probably originates in the dance events hosted by plantation slaves known as “rags”. [4] The first recorded use of the term ragtime was by vaudeville musician Ben Harney who in 1896 used it to describe the piano music he played (which he had extracted from banjo and fiddle players).
Ragtime is a musical with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally. It is based on the 1975 novel of the same name by E.L. Doctorow .
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. [1] It was sold first as sheet music by John Stark & Son of St. Louis, Missouri, [2] and in the 1910s as piano rolls that would play on player pianos. [1] The first recording was by blues and ragtime musicians the Blue Boys in 1928, played on mandolin and guitar. [1]
Various authors [additional citation(s) needed] have noted that he had either the largest collection of ragtime piano rolls in the world, or one of them. In addition, he often made his significant collection of ragtime piano sheet music available, e.g., as in the publication of a definitive, two-volume set of Scott Joplin's collected rags. [10]
When it was published, it was considered significantly more difficult than the average Tin Pan Alley and early ragtime sheet music common at the time. "Gladiolus Rag," a later composition by Joplin, is a developed variant of the "Maple Leaf Rag" showcasing Joplin's increasing musical sophistication, and is usually played at a somewhat slower tempo.
The "Black and White Rag" is a 1908 ragtime composition by George Botsford. [1]The song was recorded widely for both the phonograph and player piano, [2] and was the third ragtime composition to sell over one million copies of sheet music. [3]
Joseph Francis Lamb (December 6, 1887 – September 3, 1960) was an American composer of ragtime music. Lamb, of Irish descent, was the only non-African American of the "Big Three" composers of classical ragtime, the other two being Scott Joplin and James Scott. The ragtime of Joseph Lamb ranges from standard popular fare to complex and highly ...
In the earliest days of ragtime, there was little consensus on how to print the syncopated melodies of ragtime, so there was considerable variety in the formatting of sheet music. Pieces appeared in common meter, in 4/4 time, and in 2/4 time, and often followed conventions of earlier musical forms such as the march. As the 20th century dawned ...
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