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The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
The painting depicts a watch meeting or vigil in the dark interior of a wood cabin, with a group of enslaved black men, women and children are covertly gathered on December 31, 1862, around a pulpit made from U.S. Sanitary Commission crates. An older black man stands with a book and a large pocket watch with an anchor at the end of its chain, a ...
Sleeping Lady with Black Vase (Hungarian: Alvó nő fekete vázával) is a 1927–1928 oil painting by Róbert Berény. It is a depiction of the painter's wife reclining asleep in a blue dress behind a table on which is set a black vase. The painting was sold in 1928 and was considered lost after World War II.
The Cholmondeley Ladies (pronounced / ˈ tʃ ʌ m l i / CHUM-lee) is an early-17th-century English oil painting depicting two women seated upright and side by side in bed, each holding a baby. Measuring 88.6 by 172.3 centimetres (34.9 in × 67.8 in), it was painted on four joined panels of oak, probably in the first decade of the 17th century.
Allegorical Painting of Two Ladies. Allegorical Painting of Two Ladies, English School is a 17th-century allegorical painting by an unknown artist, and dated from the 1650s. For its period, the painting is considered unusual in its depiction of a black woman and a white woman sitting side by side. [1]
Paintings of black people (2 C, ... 32 P) Pages in category "Black people in art" The following 58 pages are in this category, out of 58 total. ... Our Lady of ...
Black Woman with Peonies by Frédéric Bazille (1870) located at the National Gallery of Art, Washington, D.C.. Black Woman with Peonies also known as Négresse aux pivoines, Young Woman with Peonies, or Negress with Peonies, is a pair of paintings created by the French Impressionist painter Frédéric Bazille in the spring of 1870.
The painting was initially purchased by Thomas B. Clarke, a private collector from New York. It changed hands again when Clarke sold his collection in 1899. It was then acquired by William T. Evans, who donated it to the National Gallery of Art in Washington D.C., where it was displayed under the title The Visit of the Mistress. [3]