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Late Modernism: Art, Culture, and Politics in Cold War America is a 2010 intellectual history book by Robert Genter. The author analyzes the history of thought in the postwar United States through prominent scholars, from literary critics and painters to sociologists and public intellectuals.
A review by The New York Times calls it a "witty and impassioned history of American art from its beginnings to the present day", "beautiful and essential", notes that "Mr. Hughes fortunately remains the critic throughout his historical canvassing, making distinctions and judgments without taking sides." and concludes "With it, Mr. Hughes has ...
The United States government does not have a ministry of culture, but there are a number of government institutions with cultural responsibilities, including the President's Committee on the Arts and Humanities, the Federal Communications Commission, the Corporation for Public Broadcasting, the National Endowment for the Humanities, the ...
Developments in the culture of the United States in modern history have often been followed by similar changes in the rest of the world (American cultural imperialism). This includes knowledge, customs, and arts of Americans, as well as events in the social, cultural, and political spheres.
Gardner's Art through the Ages is an American textbook on the history of art, with the 2004 edition by Fred S. Kleiner and Christin J. Mamiya. The 2001 edition was awarded both a McGuffey award for longevity [1] and the "Texty" Award for current editions [2] by the Text and Academic Authors Association.
The word art comes from the Latin word ars, which, loosely translated, means "arrangement". Art is commonly understood as the act of making works (or artworks) which use the human creative impulse and which have meaning beyond simple description. Art is often distinguished from crafts and recreational hobby activities.
According to feminist art historians Norma Broude and Mary Garrard: "Women artists in the 1950s and 1960s suffered professional isolation not only from one another, but also from their own history, in an era when women artists of the past had been virtually written out of the history of art, H.W. Janson's influential textbook, History of Art ...
It concerns the idea of a struggle to define American public life between two cultures: the progressives and the orthodox.The book illustrates its framework of historical analysis through several of the contemporary issues of the time: abortion rights, school prayer, gay rights, and more.