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The speaker of Dickinson's poem meets personified Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712".
The reference to horses was first in James Carmichael's Proverbs in Scots printed in 1628, which included the lines: "And wishes were horses, pure [poor] men wald ride". [4] The first mention of beggars is in John Ray 's Collection of English Proverbs in 1670, in the form "If wishes would bide, beggars would ride". [ 4 ]
For example, the poem depicts the lantern signal in the Old North Church as meant for Revere, but actually the signal was from Revere: the historical Paul Revere did not receive the lantern signal, but actually was the one who ordered it to be set up. The poem also depicts Revere rowing himself across the Charles River when, in reality, he was ...
W. C. Sellar and R. J. Yeatman parodied Browning's poem in their book Horse Nonsense as "How I Brought the Good News from Aix to Ghent (or Vice Versa)". [5]In 1889 Browning attempted to recite the poem into a phonograph at a public gathering, but forgot the words; this is the only known recording of Browning's voice.
A writer in The Sydney Morning Herald noted, of the original publication: "A beautiful volume, as far as typography goes, is Mr Will H. Ogilvie's 'Fair Girls and Gray Horses,' a collection of Australian poetry with the imprint of the 'Bulletin' Company. The real westward—that means anywhere from Menindie to the Gulf of Carpentaria and west of ...
"Ariel" is composed of ten three-line stanzas with an additional single line at the end, and follows an unusual slanted rhyme scheme. Literary commentator William V. Davis notes a change in tone and break of the slanted rhyme scheme in the sixth stanza which marks a shift in the theme of the poem, from being literally about a horse ride, to more of a metaphoric experience of oneness with the ...
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Children love this poem, but critics find it "coy" and "lightweight". The 'peering into shanties' metaphor is thought "snobbish". The exact animal employed as a metaphor for the railroad initially proves a puzzle, but at poem's end it is decidedly a horse which neighs and stops (like the Christmas Star) at a "stable door".
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