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Early New England Puritan funerary art conveys a practical attitude towards 17th-century mortality; death was an ever-present reality of life, [1] and their funerary traditions and grave art provide a unique insight into their views on death. The minimalist decoration and lack of embellishment of the early headstone designs reflect the British ...
They were usually then given to the Church to use for vestments or other decorations. [3] The rules for the pall's colour and use vary depending on religious and cultural traditions. Commonly today palls are pure white, to symbolize the white clothes worn during baptism and the joyful triumph over death brought about by the Resurrection.
A funeral is a ceremony connected with the final disposition of a corpse, such as a burial or cremation, with the attendant observances. [1] Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect the dead, from interment, to various monuments, prayers, and rituals undertaken in their honour.
Decoration turned to cherubs, urns, drapery, garlands of fruit and flowers. In the 18th century, church monuments became more restrained, placed before two-dimensional pyramids, but more Roman-like, with the deceased often depicted in Roman dress or as a cameo-like 'medallion portrait'. The Rococo style gave more movement to these figures.
They show a Christian iconography emerging, initially from Roman popular decorative art, but later borrowing from official imperial and pagan motifs. Initially, Christians avoided iconic images of religious figures, and sarcophagi were decorated with ornaments, Christian symbols like the Chi Rho monogram and, later, narrative religious scenes. [99]
Persons for whom a funeral service may not be chanted (see paragraphs above) may not be buried in a consecrated cemetery without the blessing of the local bishop. If it is not possible to bury an Orthodox Christian in a consecrated cemetery, the individual grave may be consecrated, using the rite called the "Blessing of a Grave". [35]
The images typically present one subject of religious importance and are combined together to tell a familiar (typically Christian) story. Floral motif [73] and the Herculean labors (often used in pagan funerary monuments) along with other Hellenistic imagery are common and merge in their depictions of nature with Christian ideas of Eden. [74]
Spiritual and religious images (6 C, 1 P, 2 F) Religious symbols (15 C, 71 P, 6 F) V. Visual arts by religion (9 C, 3 P) Voodoo art (1 C, 7 P) Pages in category ...
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