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Scene and sequel are two types of written passages used by authors to advance the plot of a story. Scenes propel a story forward as the character attempts to achieve a goal. [1] Sequels provide an opportunity for the character to react to the scene, analyze the new situation, and decide upon the next course of action. [2]
The meaning within the stories is not always explicit, and children are expected to make their own meaning of the stories. In the Lakota Tribe of North America, for example, young girls are often told the story of the White Buffalo Calf Woman , who is a spiritual figure that protects young girls from the whims of men.
[5] Beryl Bainbridge, Richard Adams, Ronald Harwood, and John Bayley also spoke positively of the work, while philosopher Roger Scruton described it as a "brilliant summary of story-telling". [ 6 ] Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above.
A log line or logline is a brief (usually one-sentence) summary of a television program, film, short film or book, that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest. [1] A one-sentence program summary in TV Guide is a log line. [2] "
Great Expectations is the thirteenth novel by English author Charles Dickens and his penultimate completed novel. The novel is a bildungsroman and depicts the education of an orphan nicknamed Pip. It is Dickens' second novel, after David Copperfield, to be fully narrated in the first person.
The Overstory is a novel by American author Richard Powers, published in 2018 by W. W. Norton & Company.The book follows nine Americans whose unique life experiences with trees bring them together to address the destruction of forests.
The story of the pear tree, best known to English-speaking readers from The Canterbury Tales, also originates from Persia in the Bahar-Danush, in which the husband climbs a date tree instead of a pear tree. The story could have arrived in Europe through the One Thousand and One Nights, or perhaps the version in book VI of the Masnavi by Rumi.
So much has gone before us and so much will come after us. We look for a 'coherent pattern' to explain this fact, and invest in the idea that we find ourselves in the middle of a story. In order to make sense of our lives we need to find some 'consonance' between the beginning, the middle, and the end.