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Also during the French Wars of Religion, the Catholic poet Jean de La Ceppède began using the sonnet, the favored poetic form of the Renaissance for expressing romantic love, to relate the Passion and Resurrection of Jesus Christ and for using the gods and demigods of Greek and Roman mythology, similarly to The Inklings, to point out the ...
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set ... about the Passion and Resurrection of Jesus Christ.
Crucifixion of Jesus Christ Stanisław Herakliusz Lubomirski, A soldier, politician and poet. A portrait by an anomymous painter, around 1670 "Sonnet on the Great Suffering of Jesus Christ" (in Polish Sonet na całą Mękę Pańską) is a poem by the 17th-century Polish poet Stanisław Herakliusz Lubomirski. [1]
A crown of sonnets or sonnet corona is a sequence of sonnets, usually addressed to one person, and/or concerned with a single theme.Each of the sonnets explores one aspect of the theme, and is linked to the preceding and succeeding sonnets by repeating the final line of the preceding sonnet as its first line.
The dating of the poems' composition has been tied to the dating of Donne's conversion to Anglicanism. His first biographer, Izaak Walton, claimed the poems dated from the time of Donne's ministry (he became a priest in 1615); modern scholarship agrees that the poems date from 1609 to 1610, the same period during which he wrote an anti-Catholic polemic, Pseudo-Martyr.
The phrase might be extended as "Jesus Christ is Lord" as in Philippians 2:11. In the early days, the similar formula "Jesus is the Christ" was found, but this faded into the background when its original Messianic significance was forgotten. Of more long-term significance was the affirmation "Jesus is the Son of God". [10]
[46] The last sonnet of this group is "Show Me, Dear Christ," which provides the reader with an insight regarding Donne's tolerationism and his relationship with ecumenism, later addressed further in his sermons. [47] According to Tina Skouen, throughout the first half of the Holy Sonnets different degrees of internal conflict are portrayed.
I.1. May the same brilliant star, which guided the Wise Men, who set out to worship the Lord of the Universe born in a stable, shine again in the path of my poetic endeavours, so that they have a happy ending! XII.1. Jesus, after being baptized by John, was led by the Holy Spirit to the wilderness to overcome the temptation of the devil. XII.3.