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Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. [1] Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas ...
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Tulsidas is a long poem (khandakavya) in Hindi written by Suryakant Tripathi 'Nirala'. It is based on an episode of the life of the medieval bhakti poet-saint of the same name . Originally written in 1934, the work was first published in 1935 in the Hindi magazine Sudha and later released as a separate edition in 1939.
They were written in various Indian languages such as Vedic Sanskrit, Classical Sanskrit, Ancient Meitei, Modern Meitei, Telugu, Tamil, Odia, Maithili, Kannada, Bengali, Assamese, Hindi, Marathi and Urdu among other prominent languages. Poetry in foreign languages such as English also has a strong influence on Indian poetry. The poetry reflects ...
The language is the form of Hindi called Brajbhasha, spoken in the country about Mathura, where the poet lived. The couplets are inspired by the Krishna side of Vishnu -worship, and the majority of them take the shape of amorous utterances of Radha , the chief of the Gopis or cowherd maidens of Braj , and her divine lover, the son of Vasudeva .
Madhushala was part of his trilogy inspired by Omar Khayyam's Rubaiyat, which he had earlier translated into Hindi. The other titles in the trilogy were Madhubala (मधुबाला) (1936) and Madhukalash मधुकलश) (1937).
Kamayani (Hindi : कामायनी) (1936) is a Hindi epic poem by Jaishankar Prasad (1889–1937). It is considered one of the greatest literary works written in modern times in Hindi literature. It also signifies the epitome of Chhayavadi school of Hindi poetry which gained popularity in the late 19th and early 20th centuries. [1]
The poem contains five stanzas of six lines each. Every line of the poem contains a rhythm and a beat, and the sequence of the phrases "What do you" and "O ye" marks the rhyme scheme of the poem. It follows a unique rhyme scheme in which the second, fourth, and sixth lines in each stanza rhyme. The third and fifth lines also rhyme.