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Most Played Juke Box Records (debuted January 1944) – ranked the most played songs in jukeboxes across the United States. Most Played by Jockeys (debuted February 1945) – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations. The list below includes the Best Selling Singles chart ...
Some pop and rock songs from the 1980s to the 2010s have fairly simple chord progressions. Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords.
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.
Also included in this bonanza of happy summer songs are country hits, pop tunes and good ol’ fashioned classics from the ‘70s, ‘80s, ‘90s and today. So, kick back, fill up your cup with ...
(subtitled Learned How To Play Piano) is an experimental jazz [1] album by American comedy actor and musician H. Jon Benjamin. It was released on November 27, 2015, on the Sub Pop label. [ 2 ] The album was intentionally recorded to sound bad, since, as the album's title indicates, Benjamin does not know how to play piano, but still does so on ...
Whether you're feeling festive or introspective, and whether into classical, classic rock, R&B, hip hop, or pure bubblegum pop, we've got a great selection of Christmas songs for your ultimate ...
1947 Harlem Party Piano (Riverside Records, 1956) James P. Johnson only on side A, Luckey Roberts on side B; Multiple CDs of Johnson's recordings have been released. Father of the Stride Piano, on CBS / Sony, is a re-issue of the 1962 Columbia Lp. Both collects some of Johnson's best recordings for the Columbia label between 1921 and 1939.
The key scheme in the opera is constructed mostly on a sharp-flat principle; thus the opening, reaching G ♯ major, is the sharpest music in the whole opera, and many portentions or descriptions of disaster in the opera are written in six or seven flats or even beyond.
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