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Lou Donaldson playing a Selmer Mk VI alto Selmer Mark VI tenor saxophone Concert model with high F#, right hand G#, D to E flat trill and C to D trill using the palm key E flat. The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial ...
According to an April 1988 interview in the jazz magazine DownBeat, he had a preference for Selmer Mark VI alto saxophones in the 140,000-150,000 serial number range, all produced in 1967. From the late 1970s, Sanborn played with mouthpieces created by Bobby Dukoff .
Selmer began creating saxophones in 1922, which became known as the Model 22. [7] The saxophone was a popular choice, as Selmer created the "Balanced action", which was a prototype for modern saxophones, many saxophones today have many of the components from this formation.
Conn-Selmer, Inc. is an American manufacturer of musical instruments for concert bands, marching bands and orchestras.It is a wholly owned subsidiary of Steinway Musical Instruments and was formed in 2003 by combining the Steinway properties, The Selmer Company and United Musical Instruments.
C. G. Conn Ltd., Conn Instruments or commonly just Conn, is a former American manufacturer of musical instruments incorporated in 1915. It bought the production facilities owned by Charles Gerard Conn, a major figure in early manufacture of brasswinds and saxophones in the USA.
Today's NYT Connections puzzle for Tuesday, February 4, 2025The New York Times
After Buescher was sold to Selmer, Selmer allowed the use of the Buescher trademark for products sold under Buescher's established distribution network. During the 1970s, the market position of the Buescher Aristocrat/Selmer Bundy model declined under competition from Yamaha's more up-to-date and more efficiently produced student instruments.
Bach accepted the bid from Selmer even though some others of the 13 which he received were higher. [2] Selmer asked Bach, as the first task in his new (lifetime) position as technical consultant, to redesign his trumpet so as to eliminate the unique one inch pull required to be in tune, in favor of a standard 1/2 inch pull.
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