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The Iglesia del Dios Vivo, Columna y Apoyo de la Verdad, La Luz del Mundo (Spanish: [iˈɣlesja ðel ˈdjos ˈβiβo koˈlumnaj aˈpoʝo ðe la βeɾˈðað la ˈlus ðel ˈmundo] ⓘ; English: "Church of the Living God, Pillar and Ground of the Truth, The Light of the World")—or simply La Luz del Mundo (LLDM)—is a nontrinitarian Christian denomination in the Restorationist tradition, with ...
Coro Eres la historia inolvidable, Porque en tu seno se derramó La sangre, preciosa sangre, Del unigénito Hijo de Dios. Cuenta la historia del pasado que en tu seno sagrado vivió el Salvador, Y en tus hermoso olivares, habló a los millares la palabra de amor. Quedan en ti testigos mudos, que son los viejos muros de la Jerusalén;
Flor y Canto Segunda Edición is a hymnal which includes 737 hymns and songs in Spanish in a variety of styles, representing music from the Americas, Mexico, Spain, Guatemala, Nicaragua, and Puerto Rico. 'Flor y Canto' is Spanish for 'flower and song'. Flor y Canto Segunda Edición was compiled by Rodolfo López. The second edition was ...
El canto quiere ser luz - compositions by Roberto Valera Babalù en La Habana Fieja; Cononces un fuego que no da calor, Frank Fernández (pianist) Vértigo de Lluvia. Las Casas, Oscar Hernández Falcón la rosa roja bolero, César Alejandro Carrillo (Venezuela, b.1957) Missa sine nomine, Electo Silva Gaínza (Cuba, b.1930) Para ti, Miguel Matamoros Juramento - Bolero, Wilma Alba Cal (Cuba, b ...
Chants d'Espagne, Op. 232, (Spanish: Cantos de España, English: Songs of Spain) is a suite of originally three, later five pieces for the piano by Isaac Albéniz. Prélude (later known as Asturias (Leyenda)), Orientale and Sous le palmier were published in 1892, and Córdoba and Seguidillas were added in the 1898 edition. According to Günter ...
Coro and the nearby town of La Vela de Coro were designated a World Heritage Site ("Coro and its port La Vela") in the 1990s because of their architectural heritage. The cathedral has been included in a buffer zone, rather than the core area of the site.
The preface to the hymnal describes itself as "a collection of the best hymns in the English language." [2] Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London [3] [4] and the hymnbook could be considered a musical companion to The Parson's Handbook, Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings.