Search results
Results from the WOW.Com Content Network
Thesis is a large typeface family designed by Luc(as) de Groot. The typefaces were designed between 1994 and 1999 to provide a modern humanist family. Each typeface is available in a variety of weights as well as in italic. Originally released by FontFont in 1994, it has been sold by de Groot through his imprint LucasFonts since 2000. [1] [2]
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Bernhard Modern Roman + Italic (1937, Bernhard) Bernhard Modern Bold + Italic (1938, Bernhard) Bernhard Modern Condensed (1938, Bernhard) Bernhard Tango (1934, Lucian Bernhard) Bernhard Tango Swash Capitals (1939, Bernhard), known in Europe as Aigrette. Bodoni series, first American revival of the faces of Giambattista Bodoni. Bodoni (1909, Benton)
The modern Latin-alphabet system of fonts appearing in two standard weights, with the styles being regular (or "Roman"), italic, bold and bold italic is a relatively recent development, dating to the early twentieth century.
CMU Serif, the main Computer Modern font family. This includes the four traditional styles of font (regular, italic, bold, bold italic), and also: CMU Serif upright italic, an upright italic style similar to cursive upright handwriting; CMU Serif bold non-extended, a bold weight duplexed to have the same width as the regular style
University of California Old Style metal type in regular and italic styles, compared to two digitizations: Californian FB and ITC Berkeley Old Style Medium. University of California Old Style is a serif typeface designed by Frederic Goudy and created for the University of California Press from 1936–8. [ 1 ]
Lucian Bernhard's Bernhard Modern typeface was the ATF's response to the many popular old-style engraving faces of the early 20th century. A somewhat decorative text typeface, it is distinct for its low x-height, elongated ascenders, and relatively short descenders giving it an appearance of height without requiring excessive leading. Serifs ...
Palatino nova is a redesigned version of Palatino, by Hermann Zapf and Akira Kobayashi. This Palatino nova typeface family includes roman and italics in the light, text, medium, and bold weights, a new release of Aldus and versions of Michelangelo and Sistina under the name of "Palatino Titling" and "Palatino Imperial". [43] [44] [45] [29]