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In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Meter is measured in small groups of syllables called feet. "Iambic" indicates that the type of foot used is the iamb, which in English is composed of an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five metrical feet. Iambic pentameter is the most common meter in English poetry.
Merrill dates the poem to about 59 BC, noting the difference in tone from the "swift and brief-worded bitterness" that characterizes the poems written after the speaker had become convinced of Lesbia's unworthiness, and thinks this poem was evidently written in the time of temporary estrangement which was ended by the voluntary act of Lesbia ...
Choliambic verse (Ancient Greek: χωλίαμβος), also known as limping iambs or scazons or halting iambic, [1] is a form of meter in poetry. It is found in both Greek and Latin poetry in the classical period.
Errantry" is a three-page poem by J.R.R. Tolkien, first published in The Oxford Magazine in 1933. [T 1] It was included in revised and extended form in Tolkien's 1962 collection of short poems, The Adventures of Tom Bombadil. Donald Swann set the poem to music in his 1967 song cycle, The Road Goes Ever On.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
The poem was created as part of a friendly competition in which Shelley and fellow poet Horace Smith each created a poem on the subject of Egyptian pharaoh Ramesses II under the title of Ozymandias, the Greek name for the pharaoh. Shelley's poem explores the ravages of time and the oblivion to which the legacies of even the greatest are subject.