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The recent excavations of the artifacts in the archaeological site of Wari-Bateshwar indicates that the history of Bangladeshi art dates back to 450 BC. [1] However, more research is being carried out in this regard as these excavations conflict with the earlier notions about the existence of early urban civilization in Bangladesh.
Rickshaw painting (Bengali: রিকশাচিত্র) is a form of neo-romanticism emerging in Bangladesh. The art in question consists of oil paintings on the rear of the canvas roof of rickshaws , done by local street artists, who also paint the various landscape, portraits and personal statements of the driver.
Theatre in Bangladesh is believed to have its origin in the 4th century AD in the form of Sanskrit drama. The conquest of Bengal by the Gupta Empire led the ingress of the northern Indian culture into the ancient Bangladeshi culture which eventually introduced the tradition of theatre in Bangladesh .
Study for a Painting: 1969: Watercolour on paper: 11 × 31 cm: Bangladesh National Museum [90] Towing Boat: 1968: Watercolour on paper: 54 × 74 cm-[88] Untitled (Santhal Women) 1969: Oil on canvas: 155.3 × 68.6 cm-[91] Boats: 1960s: Watercolour on paper: 56 × 76 cm: Bangladesh National Museum [92] Fishing: 1960s: Watercolour on paper: 56 × ...
Patachitra or Pattachitra is a general term for traditional, cloth-based scroll painting, [5] based in the eastern Indian states of Odisha, [6] [7] West Bengal [8] and parts of Bangladesh. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it.
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
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The surface quality can either be tactile (real) or strictly visual (implied). [3] Tactile surface quality is mainly seen through three-dimensional works, like sculptures, as the viewer can see and/or feel the different textures present, while visual surface quality describes how the eye perceives the texture based on visual cues.