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  2. Studio furniture - Wikipedia

    en.wikipedia.org/wiki/Studio_Furniture

    Studio furniture objects, perhaps because of their close association with sculpture and other fine art, are shown as often in art galleries as they are in furniture showrooms. As is the case in the studio crafts at large, this contested identity is the impetus for frequent intra-field dialogue and differing intellectual positions on the matter ...

  3. Molo (design company) - Wikipedia

    en.wikipedia.org/wiki/Molo_(design_company)

    Molo Design Limited, stylized as molo, is a multidisciplinary design and production studio based in Vancouver, British Columbia, Canada led by Stephanie Forsythe and Todd MacAllen. The studio integrates the practices of architecture, craft, and product design. molo products develop from Forsythe and MacAllen's materials research and studies.

  4. Silas Seandel - Wikipedia

    en.wikipedia.org/wiki/Silas_Seandel

    Silas Seandel (born August 11, 1937) is a furniture sculptor based in New York City. [1] [2] Seandel was born in New York City and studied sculpture and economics at the University of Pennsylvania. He graduated in 1950 and opened a studio in 1963, and for over 40 years has commissioned creative pieces of functional art, or sculptured furniture.

  5. All the Best Furniture & Storage Hacks for Studio Apartments ...

    www.aol.com/lifestyle/best-furniture-storage...

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  6. American craft - Wikipedia

    en.wikipedia.org/wiki/American_craft

    The American studio craft movement is a successor to earlier European craft movements. Modern studio crafts developed as a reaction to modernity and, particularly, the Industrial Revolution. During the nineteenth century, Scottish historian Thomas Carlyle and English social critic John Ruskin warned of the extinction of handicrafts in Europe.

  7. Wharton Esherick - Wikipedia

    en.wikipedia.org/wiki/Wharton_Esherick

    Wharton Esherick was born on July 15, 1887, in Philadelphia. He studied painting at the Pennsylvania Museum and School of Industrial Art (later the University of the Arts); and at the Pennsylvania Academy of the Fine Arts, however he left in 1910 and did not graduate.

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