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French art history Overview Categories Historical periods Prehistoric Medieval Gothic Renaissance 17th century 18th century 19th century 20th century French artists Artists (chronological) Artists – Painters Sculptors – Architects Photographers Thematic Art movements (chronological) Art movements (category) Salons and academies French art museums Movements Impressionism – Cubism Dada ...
The following is a list of notable architects – well-known individuals with a large body of published ... (1887–1965), Switzerland/France; Ernest Cormier (1885 ...
Architecture of a Romanesque style developed simultaneously in parts of France in the 10th century and prior to the later influence of the Abbey of Cluny.The style, sometimes called "First Romanesque" or "Lombard Romanesque", is characterised by thick walls, lack of sculpture and the presence of rhythmic ornamental arches known as a Lombard band.
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Unlike the Southern France, Paris has very few examples of Romanesque architecture; most churches and other buildings in that style were rebuilt in the Gothic style.The most remarkable example of Romanesque architecture in Paris is the church of the Abbey of Saint-Germain-des-Prés, built between 990 and 1160 during the reign of Robert the Pious.
The Beaux-Arts style in France in the 19th century was initiated by four young architects trained at the École des Beaux-Arts, architects; Joseph-Louis Duc, Félix Duban, Henri Labrouste, and Léon Vaudoyer, who had first studied Roman and Greek architecture at the Villa Medici in Rome, then in the 1820s began the systematic study of other ...
French Renaissance architecture is a style which was prominent between the late 15th and early 17th centuries in the Kingdom of France. It succeeded French Gothic architecture . The style was originally imported from Italy after the Hundred Years' War by the French kings Charles VII , Louis XI , Charles VIII , Louis XII and François I .
The development of sculpture in Romanesque France was closely connected with architecture. The earliest sculptural decorations on altars and the interior surfaces of churches, on lintels, over doorways and particularly on the capitals of columns, which were commonly adorned with images of biblical figures and real or mythical animals.