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B-flat major is a major scale based ... The scale degree chords of B-flat major are: ... Variations on "Là ci darem la mano" for piano and orchestra, Op. 2; Mazurka ...
Of the seven notes in the major scale, a seventh chord uses only four (the root, third, fifth, and seventh). The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a seventh implies that there is a fifth and a third and a root.
"b–a–c–h is beginning and end of all music" (Max Reger 1912) In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature, in which the note B natural is named H and the B flat named B, it forms Johann Sebastian Bach's family name.
This main theme is repeated twice more with slight modulations. The brief and slower middle section, in E-flat major, has a syncopated rhythm and is subdued in its grace and mystery, providing a calmer atmosphere. Soon, the main theme returns and after being repeated twice again, the mazurka ends boldly with a B-flat major chord in octaves.
The first movement in B ♭-major, marked Allegro, opens with a series of fortissimo B ♭-major chords, which form much of the basis of the first subject. After the first subject is spun out for a while, the opening set of fortissimo chords are stated again, this time followed by a similar rhythm on the unexpected chord of D major. [24]
The music is labeled as being in the key of B-flat major, and contains musical elements pointing to B-flat as a home note in the vein of the classical sonata form: a first theme centered on B-flat, a second theme whose iteration in the exposition is centered on A-flat and whose iteration in the recapitulation is centered on B-flat, and an ...
"E-flat was the key Haydn chose most often for [string] quartets, ten times in all, and in every other case he wrote the slow movement in the dominant, B-flat major." [2] Or "when composing church music and operatic music in E-flat major, [Joseph] Haydn often substituted cors anglais for oboes in this period", and also in Symphony No. 22. [3]
The Piano Concerto No. 15 in B ♭ major, KV. 450 is a concertante work for piano and orchestra by Wolfgang Amadeus Mozart. The concerto is scored for solo piano, flute (third movement only), two oboes, two bassoons, two horns, and strings. A brief section of the third movement is heard in a transitional scene of the movie Amadeus.
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