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Bass clef C major scale, bass clef. Play ⓘ The only F-clef still in use is the bass clef, with the clef placed on the fourth line. Since it is the only F-clef commonly encountered, the terms "F-clef" and "bass clef" are often regarded as synonymous.
When placed there, the clef is called alto clef, mainly used for the viola but sometimes used for other instruments. The second illustration shows the clef centered on the fourth line—called tenor clef. Tenor clef is used for bassoon, cello, trombone, and double bass when the notes get very high, avoiding the use of excessive ledger lines.
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals ) indicate intervals , chords , and non-chord tones that a musician playing piano , harpsichord , organ , or lute (or other instruments capable of playing chords) should play in relation to ...
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E 2 –E 4).
The bass clef or F clef identifies the second line down as the note F below middle C. While the treble and bass clef are the most widely used, other clefs, which identify middle C, are used for some instruments, such as the alto clef (for viola and alto trombone) and the tenor clef (used for some cello, bassoon, tenor trombone, and double bass ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Non-pitched percussion notation on a conventional staff once commonly employed the bass clef, but the neutral clef (or "percussion clef"), consisting of two parallel vertical lines, is usually preferred now. It is usual to label each instrument and technique the first time it is introduced, or to add an explanatory footnote, to clarify this.
An example of this can be seen in the full score of Ottorino Respighi's Pines of Rome, in the third section, "Pines of the Janiculum" (which is in B major), in the bass-clef instrumental parts. In the case of seven-flat key signatures, the final F ♭ may occasionally be seen on the second-top line of the bass staff, whereas it would more ...