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Chicago Transit Authority is the debut studio album by the American rock band Chicago, known at the time of release as Chicago Transit Authority. The double album was released on April 28, 1969 and became a sleeper hit , reaching number 17 on the Billboard 200 by 1971.
Live albums. 1972: Live in Japan; 2015: Chicago at Symphony Hall; 2018: Chicago: VI Decades Live (This is What We Do) (box set) 2018: Chicago: Chicago II Live on Soundstage; 2018: Chicago: Greatest Hits Live; 2018: Chicago: Live at the Isle of Wight Festival; Compilation albums. 1983: If You Leave Me Now; 1984: The Ultimate Collection; 1985 ...
Island Records issued this compilation in 2000 as the first step in a program to re-master and re-issue the albums that Richard and Linda Thompson had cut for them.. The tracks are drawn mostly from the duo's three albums for Island: I Want to See the Bright Lights Tonight, Hokey Pokey and Pour Down Like Silver, though two tracks are taken from Richard Thompson's first solo album Henry the ...
The discography of Richard Thompson, an English singer/songwriter and guitarist, consists of around 30 studio albums in which he is named on the cover, alongside live albums, singles, compilations, fan club and boutique label releases, soundtracks and collaborations.
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Of particular interest are live tracks by Richard and Linda Thompson (including a few from the 1982 "tour from hell"), songs demo-ed for his first solo album Henry the Human Fly as well as several of Thompson's comic songs ("Madonna's Wedding" and his lampooning of Janet Jackson's infamous breast-baring moment at the Super Bowl) and several ...
The first Richard and Linda Thompson album, I Want to See the Bright Lights Tonight, was recorded in May 1973 in short time and on a small budget. Largely because of the petrol shortage in Britain and its impact on the availability of vinyl for records, Bright Lights was held back by Island Records for nearly a year before being released in ...
In 1978 Richard Thompson accepted an invitation from Joe Boyd to play on Julie Covington's eponymous solo debut album. The musicians hired for this album included highly regarded American session players Neil Larsen, Willie Weeks and Andy Newmark, who had also been working in the studio with George Harrison. According to Boyd the three ...