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Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]
Eclogue 4, also known as the Fourth Eclogue, is a Latin poem by the Roman poet Virgil. The poem is dated to 40 BC by its mention of the consulship of Virgil's patron Gaius Asinius Pollio. The work predicts the birth of a boy, a supposed savior, who—once he is of age—will become divine and eventually rule over the world.
It contains hymns and nearly 3,000 devotional, missionary, temperance, and miscellaneous poems, the work of about 820 women in the preceding 340 years. There are brief biographies and musical settings, [2] as well as 140 pieces of music. [3] The larger part of the material was the product of living women.
The parallel development of German Romanticism also produced Christian religious poetry by Annette von Droste-Hülshoff and Clemens Brentano, as well as the rediscovery and publication of ancient and Medieval religious poetry by linguists and antiquarians like Baron Joseph von Laßberg, Friedrich Blume, and Johann Martin Lappenberg.
The Roman emperor Constantine the Great was one of the first major figures to believe that Eclogue 4 was a pre-Christian augury concerning Jesus Christ. [9]According to Classicist Domenico Comparetti, in the early Christian era, "A certain theological doctrine, supported by various passages of [Judeo-Christian] scripture, induced men to look for prophets of Christ among the Gentiles". [10]
The dating of the poems' composition has been tied to the dating of Donne's conversion to Anglicanism. His first biographer, Izaak Walton, claimed the poems dated from the time of Donne's ministry (he became a priest in 1615); modern scholarship agrees that the poems date from 1609 to 1610, the same period during which he wrote an anti-Catholic polemic, Pseudo-Martyr.
Völuspá (also Vǫluspá, Vǫlospá, or Vǫluspǫ́; Old Norse: 'Prophecy of the völva, a seeress') is the best known poem of the Poetic Edda.It dates back to the tenth century and tells the story from Norse Mythology of the creation of the world, its coming end, and its subsequent rebirth that is related to the audience by a völva addressing Odin.
The composition of The Phoenix dates from the ninth century. Although the text is complete, it has been edited and translated many times. It is a part of the Exeter Book contained within folios 55b-65b, [1] and is a story based on three main sources: Carmen de ave phoenice by Lactantius (early fourth century), the Bible, and Hexaemeron by Ambrose.