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The R62 in particular was the first New York City Subway car class built by a foreign manufacturer. [240] These were all delivered between 1983 and 1989. The R10, R14, R16, R17, R21, and R22 car classes all were retired with the deliveries of the R62/As and R68/As.
The second list, relating to the subway system, included constructing eight subway lines; renovating subway stations to include such amenities as elevators and platform screen doors; and the automation of the New York City Subway. The third list covered vehicle transport, and suggested expanding light rail and bus rapid transit; converting ...
Single cars; even numbered cars ("A" cars) have single full-width cabs, odd numbered cars ("B" cars) have blind ends. New York City Subway car numbers were originally 100–387 and renumbered 5202–5479. New York City Subway cars retired. Staten Island Railway cars currently being replaced. R46: 1975–1978 Pullman: 5482–6207 (4-car sets ...
In the history of motion pictures in the United States, many films have been set in New York City, or a fictionalized version thereof. The following is a list of films and documentaries set in New York, however the list includes a number of films which only have a tenuous connection to the city. The list is sorted by the year the film was released.
The R62A is a New York City Subway car model built between 1984 and 1987 by Bombardier Transportation for the A Division. The cars were built in La Pocatière, Quebec, with final assembly done in Auburn, New York and Barre, Vermont, under a license from Kawasaki Heavy Industries, manufacturer of the previous R62 order. A total of 825 cars were ...
The R46 order initially consisted of 754 single cars, each 75 feet (23 m) long, and was the largest single order of passenger cars in United States railroad history at the point of the fleet's completion. The R46 was the second order of 75-foot cars to be ordered for the New York City Subway, after the R44s.
The New York City Subway has been featured prominently in many films. One of the subway's first color appearances is the 1949 musical On the Town, shot on location. One of the characters takes a fancy to "Miss Turnstiles", a "typical rider" whose picture appears in many different poses on advertising placards. [19]