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A sentence consisting of at least one dependent clause and at least two independent clauses may be called a complex-compound sentence or compound-complex sentence. Sentence 1 is an example of a simple sentence. Sentence 2 is compound because "so" is considered a coordinating conjunction in English, and sentence 3 is complex.
Hypotaxis is the grammatical arrangement of functionally similar but "unequal" constructs (from Greek hypo-"beneath", and taxis "arrangement"); certain constructs have more importance than others inside a sentence. A common example of syntactic expression of hypotaxis is the subordination of one syntactic unit to another in a complex sentence. [1]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In linguistics and grammar, a sentence is a linguistic expression, such as the English example "The quick brown fox jumps over the lazy dog." In traditional grammar , it is typically defined as a string of words that expresses a complete thought, or as a unit consisting of a subject and predicate .
A complex sentence is one that has a main clause which could stand alone and a dependent clause which cannot by itself be a sentence. Using a complex sentence is a way to refer to the content of the paragraph above (dependent clause) and then bring in the content of the new paragraph (the independent clause). Here is a typical example:
A cleft sentence is a complex sentence (one having a main clause and a dependent clause) that has a meaning that could be expressed by a simple sentence. Clefts typically put a particular constituent into focus. In spoken language, this focusing is often accompanied by a special intonation. In English, a cleft sentence can be constructed as ...
In English literature, the decline of the periodic sentence's popularity as identifiably grand style goes hand in hand with the development toward a less formal style, which some authors date to the beginning of the Romantic period, specifically the 1798 publication of the Lyrical Ballads, and the prevalence in twentieth-century literature of spoken language over written language. [7]
In 1967, Stanley Fish published Surprised by Sin, the first study of a large literary work (Paradise Lost) that focused on its readers' experience. In an appendix, "Literature in the Reader", Fish used "the" reader to examine responses to complex sentences sequentially, word-by-word.