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Armin Hofmann, Poster for Kunsthalle Basel, 1959. Swiss style (also Swiss school or Swiss design) is a trend in graphic design, formed in the 1950s–1960s under the influence of such phenomena as the International Typographic Style, Russian Constructivism, the tradition of the Bauhaus school, the International Style, and classical modernism.
A 1969 Swiss poster in International Typographic Style A 1959 Swiss poster The style emerged from a desire to represent information objectively, free from the influence of associated meaning. The International Typographic Style evolved as a modernist graphic movement that sought to convey messages clearly and in a universally straightforward ...
They designed printed matter, posters, and typefaces. [ 1 ] Tissi has received numerous awards including first prize and gold medal at the 11th International Poster Biennial in Warsaw 1986, second prize for her design of Swiss banknotes in 1989, and a Swiss Grand Award for Design in 2018.
Ralph Schraivogel studied graphic design at the Schule für Gestaltung Zürich from 1977 to 1982. After receiving his diploma, he opened his own graphic design studio in Zurich. He designs print media and devotes himself above all to poster design. He had a long-standing collaboration with the Zurich art-house cinema Filmpodium, 1983–2006.
Herdeg found this system of work sustainable enough to have used it in several posters for St. Moritz travel posters. [4] It is apparent that in contemporary poster design, photo-montage was a genre of visual arts popularized in the 1920s and 1930s by Swiss artists and those of Germanic descent as well.
Josef Müller-Brockmann (9 May 1914 – 30 August 1996) was a Swiss graphic designer, author, and educator, he was a Principal at Muller-Brockmann & Co. design firm. He was a pioneer of the International Typographic Style. [1] One of the main masters of Swiss design.
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