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The gusle (Serbian: гусле) or lahuta (Albanian: lahutë; related to English lute) is a bowed single-stringed musical instrument (and musical style) traditionally used in the Dinaric Alps, primarily by Serbs, but also other South Slavic nations and Albanians. [1]
E♭ Cimbasso; C Cimbasso; B♭ Cimbasso; aerophones: 423.232: Italy: brass instruments: trombone Clarinets. Piccolo clarinet in A♭ (or G) Sopranino clarinet in E♭ (or D) Soprano clarinet in B♭ (or A; also C, low G) Basset clarinet in A; Clarinette d'amour in G; Basset horn in F; Alto clarinet in E♭ Bass clarinet; Contra-alto clarinet ...
First issue of Džuboks, released on 3 May 1966, featuring the Rolling Stones on the cover.. Džuboks was launched during spring 1966 by the Belgrade-based Duga publishing company [1] in the aftermath of the three-day Gitarijada music festival, whose large attendance and euphoric atmosphere several months earlier at the Belgrade Fair were indicative of the rising popularity of rock music ...
In 2021 Antonić published the book Kako (ni)je propao rokenrol u Srbiji (How Rock 'n' Roll in Serbia (Didn't) Came to an End). Besides Antonić's essays on Serbian rock scene , the book also features a list of 100 best Serbian rock albums published after the breakup of SFR Yugoslavia.
Tamburica (/ t æ m ˈ b ʊər ɪ t s ə / tam-BOOR-it-sə or / ˌ t æ m b ə ˈ r ɪ t s ə / TAM-bər-IT-sə; sometimes written tamburrizza or tamburitza; Serbo-Croatian: tamburica / тамбурица, lit.
Collection of percussion instruments. This is a wide-ranging, inclusive list of percussion instruments.. It includes: Instruments classified by Hornbostel–Sachs as struck or friction idiophones, struck or friction membranophones or struck chordophones.
Bosniak from Sarajevo with a Šargija, 1906. The šargija (Serbo-Croatian: šargija, шаргија; Albanian: sharki or sharkia), anglicized as shargia, is a plucked, fretted long necked lute used in the folk music of various Balkan countries, including Bosnia and Herzegovina, Serbia, Albania, Kosovo and North Macedonia. [1]
The modern Hungarian concert cimbalom was designed and created by V. Josef Schunda in 1874 in Budapest based on his modifications to existing folk dulcimers. [1] He demonstrated an early prototype with some improvements at the 1873 Vienna World's Fair, gaining praise from audiences and drawing the attention of highly-placed Hungarian politicians such as József Zichy, Gyula Andrássy, and King ...