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Danse de la chèvre (French for Dance of the Goat) is a piece for solo flute by Arthur Honegger, written in 1921 as incidental music for dancer Lysana of Sacha Derek's play La mauvaise pensée. At the start of the piece, there is a slow dreamlike introduction consisting of tritone phrases.
Arthur Honegger: Danse de la chèvre (1921) Robert Muczynski: Three Preludes, Op. 18 (1962) Karlheinz Stockhausen: Amour (1981) Harmonien (2006) Tōru Takemitsu. Voice (1971) Georg Philipp Telemann: 12 Fantasias for Solo Flute (1733) Edgard Varèse: Density 21.5 (1936)
Arthur Honegger in 1928. Arthur Honegger (French: [aʁtyʁ ɔnɛɡɛʁ]; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. [1] Honegger was a member of Les Six. For Halbreich, Jeanne d'Arc au bûcher is "more even than Le Roi David or Pacific 231, his most universally ...
1937 : H 110 Marthe Richard au service de la France 1911 : H 110a Orgue dans l'église for organ, music used in Marthe Richard au service de la France, H 110 1937 : H 111 Prelude á la Mort de Jaurès from the show Liberté, in collaboration with Arthur Hoérée, lost 1937 : H 112 Liberté, in collaboration with Arthur Hoérée, lost
Download as PDF; Printable version; ... Pages in category "Compositions by Arthur Honegger" ... Danse de la chèvre; G.
English: Arthur Honegger, plaque in Le Havre (France, Normandy) Français : Le Havre (Seine-Maritime, 76) : plaque Arthur Honegger au 18 de la rue Roger Mayer, anciennement rue Picpus. Date
From 1952 to 1968, René Le Roy was a solo flute at the New York City Opera Orchestra, and until 1971 he was a chamber music teacher at the Conservatoire de Paris. Among his students were Christine Alicot, Juho Alvas, Thomas Brown, Susan Morris DeJong, Geoffrey Gilbert and Bassam Saba.
L'Aiglon is an opera (drame musical) in five acts composed by Arthur Honegger and Jacques Ibert.Honegger composed acts 2, 3, and 4, with Ibert composing acts 1 and 5. A 2016 reviewer described it as "a singular piece of work" with its "blend of operetta, divertissement, conversation piece, historical pageant and, in the disturbingly powerful fourth act set on the Napoleonic battlefield at ...