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David Baldacci was born and raised in Richmond, Virginia.He is of Italian descent. He graduated from Henrico High School and earned a B.A. in political science from Virginia Commonwealth University and a Juris Doctor from the University of Virginia School of Law, after which he practiced law for nine years in Washington, D.C.
Without all bail shall carry me away; My life hath in this line some interest, Which for memorial still with thee shall stay. When thou reviewest this, thou dost review The very part was consecrate to thee; The earth can have but earth, which is his due, My spirit is thine, the better part of me; So then thou hast but lost the dregs of life,
The love that dare not speak its name is a phrase from the last line of the poem "Two Loves" by Lord Alfred Douglas, written in September 1892 and published in the Oxford magazine The Chameleon in December 1894. It was mentioned at Oscar Wilde's gross indecency trial and is usually interpreted as a euphemism for homosexuality. [1]
When I shall see thee frown on my defects, When as thy love hath cast his utmost sum, Call’d to that audit by advis’d respects; Against that time when thou shalt strangely pass, And scarcely greet me with that sun, thine eye, When love, converted from the thing it was, Shall reasons find of settled gravity; Against that time do I ensconce ...
To call my true love to my dance. In a manger laid, and wrapped I was So very poor, this was my chance Betwixt an ox and a silly poor ass To call my true love to my dance. Then afterwards baptized I was; The Holy Ghost on me did glance, My Father’s voice heard I from above, To call my true love to my dance. Into the desert I was led,
As a tree bends, so shall it grow; As the twig is bent, so is the tree inclined; As you make your bed, so you must lie upon it; As you sow so shall you reap; Ask a silly question and you will get a silly answer; Ask my companion if I be a thief; Ask no questions and hear no lies; Attack is the best form of defense; At the end of my rope
Most of the poem exemplifies the regular metrical alternation characteristic of iambic pentameter, as can be seen in the couplet: × / × / × / × / × / Be not self-willed, for thou art much too fair × / × / × / × / × / To be death's conquest and make worms thine heir.
Sonnet 22 uses the image of mirrors to argue about age and its effects. The poet will not be persuaded he himself is old as long as the young man retains his youth. On the other hand, when the time comes that he sees furrows or sorrows on the youth's brow, then he will contemplate the fact ("look") that he must pay his debt to death ("death my days should expiate").